A source of fascination at all times, Italy has inspired many artists.
It is therefore on a journey to the heart of the music of the great Italian masters that the Maîtrise Notre-Dame de Paris invites us to the heart of the 16th and 17th centuries.
One in Rome, the others in Venice, all actively participated in this transition to a new Baroque style that would make Italian art great.
Like glassmakers, sculptors, architects or painters, by their know-how, their ability to mix voices together, composers participate in the beauty of religious buildings for which they provide the sound element: the most beautiful music for liturgical celebrations.
Just as the architect designs grandiose constructions, the composer creates equally majestic works with 2, 4, 6, 8 superimposed and spatialized voices.
Grégorien, Laetetur cor quaerentium Dominum
Claudio Monteverdi (1567-1643), Cantate Domino
Claudio Monteverdi (1567-1643), Christe, Adoramus te
Claudio Monteverdi (1567-1643), Laudate pueri
Anonyme, Ciaccona di paradiso e d'inferno
Giacomo Carissimi (1605-1674), Jephte
Giovanni Gabrieli (1554-1612), Beata es
Claudio Monteverdi (1567-1643), Dixit Dominus secondo a 10
Claudio Monteverdi (1567-1643), Ave Maris Stella (Vesprae della Beata Virgine)
Claudio Monteverdi (1567-1643), Gloria a 7
Maîtrise Notre-Dame de Paris, Adult Choir
Michel Coppé and Frédéric Martin, violin
Adrien Alix, violone
Yves Castagnet, organ
Henri Chalet, conductors
Category 1: 40 € (no reduction)
Category 2: 25 € and 15 € (reduced rate, under 26 upon presentation of proof)
Exempt: Children under 12
Groups of + 10 people : email@example.com
On sale on site on the evening of concerts from 8 p.m.and on our online booking platform
How to reach the venue?